LIBERATING INDIAN MIND- 35
RELIGION and BRAHMANISM (ii)
This problem has vexed for decades, but I could not find an answer. how little we see of what we claim to see! The Rig Veda is full of contradictions. I noted contradictions in the Ramayan, and made good use of these contradictions in my creative work. A similar contradiction was noted by me in Mahabharat that shows that the historical event must be quite at variance with what is available in the epic. I was embarrassed to note that Brahmanical superiority has been advocated by the those intellectuals whom conservative Brahmins never give any importance because they came from the Asura background. In fact only they were the careers of our legendary past through gathas and Puranas (गाथया पुराणया पुनानं अभ्यनूषत) and, dance and drama.
Let’s play a bit safe. our evidence is strewn throughout our tradition in different forms and genre. let us piece them together but first we should make a stock taking.
1. Bharat Muni the author of Natya Shastra (नाट्यशास्त्र) reminds us of a time, which by our reckoning falls in Vedic time-bracket, when for the first time drama was staged by the Asuraj, on the theme centring Indra and Vritra battle.
2. This tradition survives in Kinnaur (किन्नौर) where like Ramalila (रामलीला) something like Vritraliila (वृत्रलीली) is enacted and the festival runs through a month, as informed by a learned friend of mine.
3. There are a number of hymns called samvad Suktas (संवादसूक्त/ वाकोवाक्य), which support the hypothesis that drama was one of the entertainments of the Vedic society..
4. A replica of mask with horns, found from a Harappan site, vindicates the claim.
5. Scholars have vaguely noted the subtle differences between the oral traditions and the Vedic accounts and have not been able to work it out.
6. The Rigvedic tradition upholds yajna (यज्ञ) as the most auspicious work (श्रेष्ठतमं कर्मं) but a Vedic poet is known for having discarded the Yajna (हता मखं न भृगव:), and yet he finds a revered position among the luminaries. Of all the seers, it is Bhrigu and The Bhargvas who carried the loom of tradition.What we call MANUSMRITI is in fact Bhrigushastra (एतत् वोऽयं भृगु:
शास्त्रं श्रावयिष्यति अशेषत:, मनुस्मृति १.५९)
7. But despite his illustrious position the Seer is admired for his skills in carpentry- making wheel, chariot. We may also add ship building to this inventory.
8. Another illustrious seer, Angiras, reminds us of the Agarias (आगरिया) who are experts in metallurgy and mining. We find him breaking rocks with hammer (अद्रिं भिनत् अंगिरसा रवेण), and yet there is the an ambition to emulate him (दिवस्पुत्रा अंगिरसा भवेम).
9. Jamadagni falls in the line of Bhrigu, he appears to have made some innovation in graffiti, in Puranic literature he is shown to be the father of legendary Parashuram, a late creation, but Jamadagni enjoys parity with Vashishtha (गृणाना जमदग्निवत् स्तुवाना च वसिष्ठवत्).
10. Another outstanding figure Vishvamitra, is allegedly the son of Gathin (गाधि of the epics) the carrier of traditional loom. He is Kaushik a generic name (reminiscent of kash/ kash who appear to have been far widespread than we can grasp). The Kushikas took a lead in promoting Indra Cult, to undermine fire cult, making the latter subservient to the former. Indra is said to be their creation, he is Kaushik (आ तू न इन्द्र कौशिक), and one of his epithets is Shakra (again reminding us of Shakas, who also had wide presence in India, following the natural catastrophe called glaciation, and had become part of the Indian demographics.
10.1 It mustn’t be forgotten that Indra by every reckoning is a new God who has to struggle to establish his supremacy.
11. Twashta (त्वष्टा), is at times identified with the Sun god and Fire, but the use of fire he makes is not for burning forests and savanna outgrowth but to make weapons. He makes that lightening-like missiles for Indra (त्वष्टा तत वज्रं स्वर्यं ततक्ष), who himself strikes the Vritrass. We must not forget that Vritra is a chimerical word meaning (1) clouds. (2). The banks of rivers, (3) the rocks or boulders obstructing watercourse, (4) Asuras surrounding the Devas/Brahmanas, (5) enemies in general, (6) anything that encloses/surrounds something, (7) soma juice which is thrice enclosed, (8) moon that contains soma etc. He himself is Asura. (It is apparently strange that an Asura is arming his rank enemy to destroy his own people.
12. Vishvarupa (विश्वरूपा) the son of Twashta who was next to Brahma (चतुरानन, with four heads) with his three heads(त्रिशिर) three mouths, six eyes(षडक्ष), is beheaded by Indra for the reason that he enjoyed all the bounties available to men and gods with something special to Asuras, or because he is more prosperous.
13. Tvashta although does not refuge service to Indra but takes revenge on him by inviting him for a soma drink and secretly poisons it. Indra as a result suffers from such an acute dysentery that all the pores of his body start bleeding. He repents and performs Sautrmani (सौत्रामणि) as penance the only occasion on which Brahmans drank wine.
14. Vishvamitra, the most influential seers is said to be making desperate efforts, but is not granted status of a traditional Brahmin, and his extraordinary ability to make graphic signs so improved that all the things and ideas could be expressed as if it was a creation parallel to the creator, is ridiculed even for his achievements in the style that Bauddha/ Buddhist and Jains were ridiculed later.
15. All the Seers with Asura Background, i.e. who rejected yajna or clearing land for agriculture by burning and formal yajna adopted the course of personal enlightenment, that is meditation and attainment of bliss, were severed from the original Brahmans, despite their claim to Bramanis.
16. Despite this arrogance of the Brahmanas with Deva background the loom bearers of tradition, i.e., vyasas, or scholars with Asura background are the only ones, that take extraordinary interest in collecting the almost lost Vedas and Puranas. Conventional Brahmins are not known for this extra-ordinary feat.
17. It is the Brahmins not accepted as ‘real’ Brahmins who wrote the Mahabharat, Ramayan,, Gita, Manusmriti, Natyashastra etc. that made strongest plea for supremacy of the Brahmanas as a Varna, the inevitability of caste system and yet were never granted that status and occasionally humiliated by the same Brahmanas.
18. The most unexpected thing is that they made provisions for the Shudras who much like them had come from the same Asura background after they were deprived of their territory due to constant encroachment of the Devas who being better organised and fire as their weapon which the wild tribes could not afford to use because it amounted to the same destruction, helplessly surrendered to the agriculturists and shouldered all those tasks that were tabooed and because of which they had so long resisted..
All these puzzling problems have only one convergence point and that is the entry at an early stage into the Brahmanical category reserved earlier for elders.
But there are still some suspicions which we shall rais़